Hey There!
I’m a Product Animation Specialist with 5 years of experience creating captivating visuals for global brands like Colgate, Smirnoff Ice, and Lipton.
In my world, product animation isn't just about slapping a JPEG onto a 3D model and doing a 360° turntable; it's about infusing each piece with personality that resonates with its audience. With my trusty Cinema 4D, I dive into the nitty-gritty details of dielines, Illustrator layers, and CAD data — then bring those models to life in ways that reflect the brand’s narrative.
Behind the scenes, I’m a lighting and transitions enthusiast; I'm always on the hunt for that perfect glow and seamless shift that makes viewers go “Wow!” My work has been part of projects that have snagged gold awards, a testament to my dedication to excellence and innovation.
From refining sophisticated label textures in 3D to defining the motion of a premium spirit, I treat every project as part of a cohesive brand system. I regularly collaborate with motion designers, graphic designers, industrial designers, and creative directors to ensure the final animation doesn’t just look good — it stays consistent with the brand’s voice, intent, and creative direction.
In my world, product animation isn't just about slapping a JPEG onto a 3D model and doing a 360° turntable; it's about infusing each piece with personality that resonates with its audience. With my trusty Cinema 4D, I dive into the nitty-gritty details of dielines, Illustrator layers, and CAD data — then bring those models to life in ways that reflect the brand’s narrative.
Behind the scenes, I’m a lighting and transitions enthusiast; I'm always on the hunt for that perfect glow and seamless shift that makes viewers go “Wow!” My work has been part of projects that have snagged gold awards, a testament to my dedication to excellence and innovation.
From refining sophisticated label textures in 3D to defining the motion of a premium spirit, I treat every project as part of a cohesive brand system. I regularly collaborate with motion designers, graphic designers, industrial designers, and creative directors to ensure the final animation doesn’t just look good — it stays consistent with the brand’s voice, intent, and creative direction.
Part of the Win
In every project I’ve been involved in, I'm always pushing the boundaries of possibility — whether it’s creating the world’s first animated, three-dimensional recyclable tubes icon for Colgate, crafting nearly impossible under-the-pool packaging photoshoot in CGI for HTH, constructing enigmatic assembly lines for Pastiglie Leone, or origami-folding a true-to-measurement six-pack carrier straight from the dieline to 3D for Smirnoff Ice — all while under the constraints of deadline and budget.
Pastiglie Leone - La Dolce Vita
2024 Pentawards Platinum2024 FAB Awards Gold2024 ADC Awards Bronze CubeSmirnoff ICE
2023 Transform Awards Gold: Best Use of Glass PackagingHTH
2022 Transform Awards Gold: Best Visual Identity in the Industrial and Basic Materials Sector2022 Transform Awards Silver: Best Brand EvolutionColgate Recycle Me!
2022 Pentawards Gold2022 Transform Awards Silver: Best use of a Visual PropertyBrands I've Worked On
1664, Basil Hayden, Carl’s Jr./Hardee’s, Colgate, Dettol, Durex, Enfamil, Harvest Snaps, Hostess, HTH, Lipton, Lone River, Mastercard, Pastiglie Leone, Smirnoff Ice, Tanqueray, Tyson, VO5
The Arsenal
Cinema 4D — home base
Octane & Redshift — the photorealism department
Illustrator — design prep and import-ready assets
Photoshop — textures, touch-ups, the details
After Effects — motion, color, final delivery
X-Particles — fire, water, physics, chaos
ZBrush — rare, but it sculpts
Brain — visual thinking, problem-solving, the rest